If you're on the subscription, I believe Neutron has a multiband gate so you can try that. Some de-essers are quite flexible in this department by letting you cut just the breathy stuff or triggering the compression/expansion from a narrow band - I think DMG's Essence might be able to do it, though I haven't tried it for that kind of job.
While the De-hum module is built to attack pure AC hum, the Spectral De-noise module in RX can intelligently remove both the hum and buzz from your audio. The breath, being mostly high frequencies doesn't get through. Hum and buzz can be introduced to guitar tone in a number of ways: single coil pickups, a bad cable, a faulty power supply, or even the construction of the amp, the guitar or an effects pedal. Send a low-pass version of the signal to the side chain of the gate so you can key to the very start of quiet word. One possibility is to make the gate frequency dependent. Looking for a plugin for removing objectionable room ambience from tracks prior to mixing. In this course, join Garrick Chow as he covers the best and latest features of. The danger is that the voice onset gets cut off, which is not great. For home hobbyists and multiplatinum engineers alike, an overly roomy recording can be the wet blanket on a mix session. IZotope RX 6 is a powerful, industry-leading tool for fixing audio issues. This misses the breath but lets the voice through.
You might be lucky in that there's quite a gap between the breath intake and the speech so you could try a slow attack on the gate on the breath itself. An expander (a compressor but working the opposite way round) can be a bit more gentle but you set the threshold of a gate to be higher than the sound of the breath but lower than the voice onset itself. Click to expand.Basically, you use the same method as that used to deal with the amp noise from an electric guitar or overspill from percussion in room mics.
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